The Index · House Profile
Four Oud Origins.
One Bottle.
No About Page.
Ibrahim Fuhaid publishes the province every one of his ouds came from, the flowering window of his osmanthus and the percentage of naturals in his formula. About himself he publishes nothing at all. The materials are the statement.
House Spotlight
Most houses tell you who they are and stay vague about what is in the bottle. Ibrahim Fuhaid has done the exact opposite, and he has done it consistently enough that it reads as a position.
Start with what is knowable. He is Saudi. He is the perfumer and the creative director of a house that carries his own name, and every release in it is credited to him alone with no co author and no outside commission. His first fragrance, Vinoud, came out in December 2021. He is stocked by Luckyscent in Los Angeles, which for a house this size is the real credential.
Now what is not knowable. There is no about page on his site. No manifesto, no founding statement, no biography. We went looking for an interview in English and in Arabic and found none, in either language. No award. No Gulf trade press, no lifestyle feature, no profile. For a perfumer whose work sits on a Luckyscent shelf, that is close to remarkable, and we are not going to paper over it with invented background. We do not know where in Saudi Arabia he works, how he trained, or whether he trained at all.
What he does publish, he publishes in extraordinary detail.
Read his note lists and they do not say oud. They say Trat, and Prachin, and Chintaburi, and Burmese, and Laotian, and Hindi. They do not say sandalwood, they say Mysore. The ambergris is Scottish. The tonka is Venezuelan. The rose is Azerbaijani. The jasmine is Egyptian, the mandarin is from Capri, the tobacco is Hungarian, the frankincense is Omani, the neroli is Moroccan. That level of provenance is normal in an auction catalogue for raw oud and is not at all normal on a retail note list.
He puts numbers on things too. Cider Oud is published as an extrait at thirty seven percent, roughly forty percent natural materials, with a natural oud pairing making up about a tenth of the formula. That is the kind of arithmetic most houses treat as a trade secret, offered up unprompted.
And the materials dictate the production rather than the other way round. Vinoud was capped at five hundred bottles for a stated reason: he could not get enough ambergris and deer musk to make more, and he has not remade it. A later release, Night in Andalus, was sold as a one time offering built partly on Mysore sandalwood he dates to 1996. Putting a vintage year on a raw material is something almost nobody does in public.
One correction, because it is the thing people get wrong about him. He is filed everywhere as a Saudi oud house, and four of the seven fragrances we carry contain no oud whatsoever. Orrisilla is an orris study. Nérolis is neroli, frankincense and myrrh. Treng Waves is black tea and citrus. Bright Aura is a fougère, and not accidentally: his own copy places it in the fougère line it dates to 1882, which is a Saudi oud maker writing deliberately into the most European genre in perfumery and saying so.
The best story in the catalogue is a name. Treng Waves looks like another invented portmanteau, and it is not. In Saudi Arabia the local citrus that grows in abundance is called treng. He named his citrus fragrance after the fruit the way his own region says it, then pinned an English word on the end. There is also a name worth getting right in the other direction: the Arabic name for Cider Oud transliterates as Cedar Oud, and at least one retailer has carried that mistake into English copy. There is no cedar in it.
He does not only work for himself. He composes for WAMAQ, the Saudi house where each fragrance is written by a different Saudi perfumer, alongside Amer Alradhi, whose own profile is here. His WAMAQ contribution is Orris Oud, which is the oud bearing cousin of his own Orrisilla. The same obsession, answered twice, once with agarwood underneath it and once without.
What follows is the seven we carry, in three groups.
The Material Is The Subject
Three fragrances built the same way: take one expensive material, run it through the top, the heart and the base rather than using it as an opening gesture, and name the bottle after it. Orrisilla puts orris root in all three tiers of its own pyramid. Osmanthud welds osmanthus to Thai oud and says so in the title. Nerolis does it with Moroccan neroli at extrait strength. It is an exposed way to work, because when the material is the subject there is nothing to hide a thin one behind.
Orrisilla
2023 · 2ml $9.99 · 50ml $170Orris in all three movements, which almost nobody does. Red berries and mandarin give a short bright lift, then orris root takes over and never leaves. Mimosa, cacao pod, amber and vanilla warm the powder through the heart, and musk, Virginia cedar and patchouli hold a soft rooty base close to the skin. Orris appears in the top, the middle and the base of the published pyramid, which is not a flourish but the entire design, and you can hear where the money went: this has real carrot root depth rather than the thin violet powder most iris fragrances settle for. It is also linear by design, so anyone expecting a journey will find it static. Cool weather, close wear.
Orris Root · Red Berries · Mandarin · Mimosa · Cacao Pod · Amber · Vanilla · Virginia Cedar · Patchouli
Osmanthud
2024 · 2ml $14.99 · 50ml $220Apricot leaning osmanthus meeting a faceted oud. Bergamot and apricot open into ripe, leathery osmanthus, a flower that reads far more like fruit and suede than anything floral. Thai, Cambodian and Indian oud then arrive with rose, sandalwood and incense for a smoky resinous drydown with dried fruit and tobacco still audible underneath. The house justifies the price with a fact worth knowing: osmanthus can only be naturally extracted during an annual flowering window of about fifteen days. The name is the composition, osmanthus and oud welded together, and if you try exactly one fragrance from this house it should be this one. The same sweetness that makes it work is what will put off anyone hunting something harsher.
Bergamot · Apricot · Osmanthus · Thai Oud · Cambodian Oud · Rose · Sandalwood · Leather · Tobacco
Nérolis
2ml $14.99 · 50ml $220Moroccan neroli at extrait strength, pushed somewhere oriental. Neroli, saffron and bergamot open it, then Omani frankincense, cardamom, saffron and sandalwood take the heart with the neroli still running underneath, and Mysore sandalwood, myrrh, ambergris and orange blossom absolute close it. Neroli is bright, expensive and famously short lived, so committing it to the heaviest concentration you make and then pinning frankincense and myrrh to it is close to a dare. This is the newest thing the house has released and it appears in none of the major fragrance databases yet, so there is no community verdict to lean on and no launch year anyone has published.
Moroccan Neroli · Saffron · Bergamot · Omani Frankincense · Cardamom · Mysore Sandalwood · Myrrh · Ambergris · Orange Blossom AbsoluteThe Two Ouds
Here is where the provenance obsession stops being an abstraction. One of these is built as a journey through four separate oud origins, each chosen for a different quality, and the house names every one of them. The other opens on cider apple and frankincense, which is not a thing Gulf oud houses generally do, and spends its first twenty minutes being genuinely odd before settling into something more familiar.
Knight of Oud
2024 · 2ml $12.99 · decant onlyFour oud origins in one bottle, each doing a different job. Thailand oud, ambergris and tonka open warm and faintly sweet, softened by wool and jasmine sambac before agarwood, incense and sandalwood thicken the middle, and Cambodian oud, more incense and vanilla close it dense and resinous, closer to a pure oud oil than a typical spray. The house sets out the design openly: Trat for sweetness and tonka warmth, Prachin for smoke and jasmine, Chintaburi for tobacco and aged leather, and Burmese paired with Mysore sandalwood. That is a connoisseur's structure rather than a new idea, and it is aimed at people already fluent in the material. We stock it as a decant only.
Trat Oud · Prachin Oud · Chintaburi Oud · Burmese Oud · Ambergris · Tonka Bean · Jasmine Sambac · Incense · Sandalwood
Cider Oud
2025 · 2ml $15.99 · 50ml $225Tart cider apple colliding with frankincense and raw leather. Cider apple, lilac and Omani frankincense open with an odd sour sweetness that red apple, leather, saffron and Azerbaijani rose carry into a denser spicier heart. Indian oud, Mysore sandalwood, guaiac, musk and ambergris then take it into a long dry resinous finish. The house publishes the arithmetic: extrait at thirty seven percent, roughly forty percent natural materials, and a natural oud pairing of Laotian and Hindi making up about a tenth of the formula. One warning worth having. The Arabic name transliterates as Cedar Oud, and at least one retailer has carried that error into English copy. There is no cedar in it.
Cider Apple · Lilac · Omani Frankincense · Red Apple · Leather · Saffron · Azerbaijani Rose · Laotian Oud · Indian Oud · Mysore SandalwoodThe Citrus and the Fougère
Four of the seven fragrances on this page contain no oud at all, which is the first thing to correct about a house everyone files under Saudi oud. These two are the clearest proof. One is named after a Saudi word, the other is written deliberately into the most European genre in perfumery. They are also the two cheapest ways into the house, which is not a coincidence.
Treng Waves
2022 · 2ml $7.99 · 50ml $170Black tea and peach over a salted leather base. Citron, bergamot, Capri mandarin and aldehydes open sharp and a little soapy, then black tea and mate build a dry tannic heart that an earthy peach softens just enough, and Haitian vetiver, ambergris and musk take it somewhere saline and skin close. The name is the best thing about this house and it is not a portmanteau at all: in Saudi Arabia the local citrus that grows in abundance is called treng, so a Saudi perfumer named his citrus fragrance after the fruit as his own region says it, then pinned an English word to the end. The aldehydes up top are sharp for ten minutes and read dated to some people. Wait them out. The cheapest decant on the page and the oldest thing here.
Citron · Bergamot · Capri Mandarin · Aldehydes · Black Tea · Mate · Earthy Peach · Haitian Vetiver · Ambergris · Musk
Bright Aura
2025 · 2ml $11.99 · 50ml $170A fougère built on apple instead of coumarin. Bergamot, grapefruit and green apple open bright and nearly fizzy, with lavender underneath doing the classic fougère work. Basil, artemisia and juniper turn the heart herbal and faintly bitter, then oakmoss, Virginia cedar, sandalwood, ambrette and ambergris close it woody and creamy. The apple is the point of difference, keeping the opening out of barbershop territory and giving the herbs something sweet to push against. What makes it interesting is the intent: the house places this explicitly in the fougère line it dates to 1882, which is a Saudi oud maker writing on purpose into the most European genre there is. It is also the tamest thing here, so if you came for the heavy ouds it will feel like a daylight compromise.
Bergamot · Grapefruit · Green Apple · Lavender · Basil · Artemisia · Juniper · Oakmoss · Virginia Cedar · Ambrette · AmbergrisHow to hear a house
- Start with Treng Waves. It is the cheapest decant on the page and the oldest thing the house makes, and the dry tannic tea accord tells you quickly whether this perfumer's idea of balance matches yours. Give it the first ten minutes before judging, because the aldehydes up top are the least representative part of it.
- Learn the naming rule and the catalogue organises itself. Orrisilla is orris. Osmanthud is osmanthus and oud. Nérolis is neroli. When this house puts a material in the title, that material is the whole composition rather than a top note, and the price usually reflects what it cost to do that.
- Osmanthud is the house's best argument. Osmanthus reads as apricot and suede rather than as a flower, which makes it one of the few florals that can sit against oud without either one winning. If you try exactly one of these, make it this.
- Knight of Oud is decant only here. There is no bottle on our shelf for it. It is also the most traditional thing in the catalogue, aimed at people already fluent in Cambodian oud rather than anyone starting out.
- Four of the seven have no oud in them at all. Orrisilla, Nérolis, Treng Waves and Bright Aura. If you have been avoiding this house because you do not wear agarwood, you have been avoiding more than half of it for no reason.
- Cider Oud is a bet. Apple and frankincense over oud is genuinely unusual and the execution mostly works, but it is a recent release without the track record that would let anyone call it a classic yet. Price it in your head accordingly.
- Bright Aura is the tame one, and that is deliberate. A fougère with apple in place of coumarin is the most conventional thing here by a distance. If you came for the heavy ouds it will disappoint; if you want something for daylight and an office it is the only candidate.
- Read the provenance, because he means it. Trat, Prachin, Chintaburi, Burmese, Laotian, Hindi. Mysore sandalwood, Scottish ambergris, Azerbaijani rose, Capri mandarin. Most houses write oud and sandalwood and leave it there. This one tells you the province, and the prices follow from it.
- Decant first, bottle second. Six of the seven are stocked as a 2ml KSI hand decant alongside the full bottle on the same product page. The decant is drawn from an authentic bottle into an atomizer so you can wear it properly before committing. All fragrance purchases are final sale.
- Questions before you order? Email info@kaleidoscopescentindex.com and we will tell you which one is actually yours.
Seven fragrances.
Every origin named.
Every Ibrahim Fuhaid we carry, in decants and in full bottles, on one page. If you only take three, take Osmanthud, Treng Waves and Orrisilla.
Shop Ibrahim FuhaidWhere confidence meets chemistry and every note compounds character